The British Film Industry: Institutional Context
- What is the 'cultural test' to see if a film counts as British?
If a film does not qualify as a co-production, it must pass the British Film Institute’s Cultural Test in order to be defined as British. The Cultural Test is divided into four sections and a film must score at least 16 out of a possible 31 points to be classified as British. The four sections are: Cultural Context, Cultural Contribution, Cultural Hubs and Cultural Practitioners.
- Complete the task on the Factsheet, researching the films listed and finding out what they score on the cultural test.
Sweeney:
Financing: Budget £3 million
Cultural Test: Set in London = 4 points
Lead characters are British = 4 points
Based on British subject matter = 4 points
English dialogue = 6 points
British creativity/ diversity = 4 points
Cultural Hubs = 2
Cultural practitioners = 7
31/31
Attack The Block:
Financing: Budget £8 million; box office $5.8 million
Cultural Test: Set in London = 4 points
Lead characters are British = 4 points
English dialogue = 6 points
British creativity/ diversity = 4 points
Cultural Hubs = 2
Cultural practitioners = 7
27/31
The King's Speech:
Financing: Budget $15 million; box office $414.2 million
Cultural Test: Set in London = 4 points
Based on British subject matter = 4 points
English dialogue = 6 point
British creativity/ diversity = 4 points
Cultural Hubs = 2
Cultural practitioners = 7
27/31
We Need To Talk About Kevin:
Financing: Budget $7 million; box office $9.2 million
Financing: Budget $7 million; box office $9.2 million
Cultural Test: English dialogue = 6 points
Skyfall:
Cultural Hubs = 2
Cultural practitioners = 2
10/31
Financing: Budget $150 - 200 million; box office $1. 109 billion
Cultural Test: Set in London = 4 points
Lead characters are British = 4 points
Film based on British subject matter = 4 points
English dialogue = 6 points
British heritage = 4 points
Cultural practitioners = 5 points
27/31
- What is the main problem for the British film industry?
Many UK films are made but,
in order to get the film exhibited, the filmmakers have to sacrifice the
distribution rights by selling the film to a distribution company.
Once sold, all revenue from cinema screenings, DVD and Blu-ray
sales, plus sales to television companies, are lost. Even a highly
successful British film is not necessarily making money that will be
reinvested in British filmmaking.
- What are the two options for the future of the British film industry?
British film makers could rely upon co-productions with American studios to keep the industry going strong. However, the essence the film being 'British' may be lost. The second option is to make low budget films which are targeted at a niche, British audience. This would mean that the film will be able to remain a 'British' film, however the cost of the filom would be lower, which could potentially effect the profits and box-office takings.
- In your opinion, which of these two options would best safeguard the future of the British film industry?
In my opinion British film makers shoukd rely upon co-productions with American studios to keep the industry going strong.
No comments:
Post a Comment